Horn Notes Edition
Innovative Publications for Horn Players

Our Catalog in Brief

Natural horn EricsonNOTICE: We have a new line of E-Publications coming soon! Release of the following, updated titles expected in January of 2018

Books and Methods

  • Introducing the Horn, third edition
  • Playing Descant and Triple Horns, second edition
  • The Low Horn Boot Camp, second edition
  • Playing Natural Horn Today, second edition
  • Playing the Wagner Tuba, second edition

We also have for direct sale one book and the following Compact Discs featuring John Ericson

  • CantoLes Adieux CD
  • Les Adieux
  • Rescued!
  • Table for Three
  • Playing the Wagner Tuba, first edition

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Coming soon, five newly updated publications

Introducing the Horn: Essentials for New Hornists and Their Teachers, third edition

Covers the range of performance-related topics that are the most essential in giving a new hornist a good start. This updated third edition is a great resource book for beginners and for those converting to the horn, with information also of use to intermediate and advancing hornists. In addition, supplemental text is presented which is directed toward current and future instrumental music educators, making this a great resource to augment materials used in horn methods classes.

The Low Horn Boot Camp, second edition

A volume of effective materials for initial low horn study, this expanded second edition includes text on low range development and a special edition of the classic Bordogni Vocalises. Our version is based on a 19th century vocal edition by Ferdinand Gumbert, presented in low treble clef and low bass clef. The low bass clef version is a fourth lower than that widely used on the trombone, with the low treble clef version providing a logical stepping stone toward developing the lowest range of the horn.

Playing Descant and Triple Horns, second edition

A practical introduction to descant and triple horns, tools available to the modern hornist for more secure high range performance. This volume covers many topics related to these instruments including fingerings, mouthpiece choices, and music to study and perform, while also touching on the history of the instruments. This second edition includes expanded coverage related to high range production along with tips and excerpts from important solos and orchestral works.

Playing Natural Horn Today, second edition

A concise, modern method for the natural horn, developed with the needs of horn players in mind. This updated second edition is focused toward introducing the natural horn effectively for players who already play the valved horn and wish to learn the older instrument. Topics covered include equipment choices, hand positions, and much more, presented in a practical manner. Short exercises and etudes are included to build technique, making this an ideal resource for learning to play the natural horn.

Playing the Wagner Tuba: A Handbook for Hornists, second edition

A complete, practical guide to the literature and performance techniques of the Wagner tuba, geared toward the advanced student, amateur, or young professional who needs to get up to speed quickly to perform Wagner tuba in a symphonic setting. This updated second edition includes information on instruments and fingerings, complete parts (original notation and transposed) for Bruckner’s Symphony No. 7, excerpts from Götterdämmerung and Eine Alpensymphonie, and more.  


One of the most visible hornists today, John Ericson has wide-ranging experience as an orchestral player, soloist, and teacher.

Co-founder of the online magazine and resource Horn Matters, Ericson began his professional career with serving for six seasons as Third Horn in the Nashville Symphony. From there, he turned to full time teaching, first at the Crane School of Music (SUNY Potsdam), where he launched Horn Articles Online. Since 2001 he has served on the faculty at Arizona State University and is Brass Area Coordinator. Besides teaching at Arizona State University, in recent years Ericson has also served as artist faculty at the Interlochen Center for the Arts and the Brevard Music Center. He holds degrees from Indiana University, the Eastman School of Music, and Emporia State University.

Canto CDHis three solo CDs on the Summit label received critical acclaim: The Horn Call hailed Les Adeiux for "Fantastic playing.... The level of musicality, nuance and artistry is not to be missed" and called Canto a "Terrific collaboration between horn and piano." Author of numerous publications, he has performed and presented sessions at eight international horn symposiums and numerous regional events.

A longer bio with audio samples may be found in Horn Matters.

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If you have questions please contact us directly at

AND: Be sure to check out our podcast at Horn Mattershttp://www.hornnotes.libsyn.com/

For even more on the horn please be sure to also visit the online magazine and resource

Horn Matters